38th edition
17-25 january 2026
Image Tulpan
KazakhstanGermany
2008 Fiction 1h40
At the end of his military service in the navy, Asa returns to the Kazakh steppes to live with his sister and brother in law, a sheep breeder. Asa dreams of a simple life: a family, a yurt, a farm. First he has to get married. Tulpan is the only bride possible in this desert land. Unfortunately Tulpan doesn't want him: she thinks his ears stick out too much...
With : Askat Kuchinchirekov, Tulpebergen Baisakalov, Samal Besikbasov, Esentai Tulendiev, Zhappas Dzhailaubaev, Amangeldi Nurzhanbayev, Tazhyban Kalykulova
Screenplay : Sergey Dvortsevoy, Gennadij Ostrowskij
Image : Jolanta Dylewska
Sound : Eric Tisserand, Williams Schmit, Olivier Dandre
Editing : Isabel Meier, Petar Markovic
Production : Pandora Film // Balthasarstr. 79-81, 50670 Cologne, Allemagne // Tel : +49 221 97 33 20 // Email : info@pandorafilm.com
Co-production : Cobra film, Kaz export cinema, Film company solo, Ctb Filmproduction, Filmcontract, Pallas film
Distribution: ARP Sélection // 13 rue Jean Mermoz, 75008 Paris // Tel : 01 56 69 26 00 // Email : arp@arp-selection.com // Site Web : www.arpselection.com
Sergey Dvortsevoy was born in 1962 in Chimkent in Kazakhstan. He graduated from the school of aeronautics in Ukraine and the radiotechnical institute in Novosibirsk. He was an Aeroflot manager before registering at the VGIK. In the 1990s Sergey Dvortsevoy was a key figure in Russian cinema. His documentaries Paradise and Bread Day in 1995, Highway in 1999 and In the dark in 2008 were acclaimed by audiences and critics alike from different nationalities and continents. Tulpan, which was finished in 2008, is his first feature. "Tulpan was filmed in the south of Kazakhstan, in a region called Betpak. This represents a large part of the steppe, occupied only by shepherds. It is in the middle of nowhere and the closest town in Chimkent, 500 km away. The shoot took 3 years with pauses. In all we must have spent a whole year filming. (...) There are still many nomadic families in Kazakhstan. It is very close to the life that Samal and Ondas lead in the film, that many consider as a modern life. But there are other types of nomads. Very few have their own cattle and most are hired by big owners to take care of their sheep. They all still live in yurts and cover hundreds of kilometres a day. Some are very poor. The film gives a very realistic vision of the actual situation. Most young people want to live in the town because they think it is better. But at the end of the day they end up in cities like Chimkent, waiting for jobs that will never come. They end up as construction workers or temping when they have no qualifications. Young people like Asa and Boni would have no future there."