Spies
Espion(s)
Nicolas Saada

Vincent is a brilliant young man who nevertheless has not taken the fast track that his studies gave him. He works as a baggage handler in an airport and willingly steals objects from travellers. His colleague Gérard forces open the suitcase of a Syrian diplomat and is killed following the explosion of a bottle of perfume. The DST makes Vincent accept a deal: in exchange for collaborating with the French and British secret services to find those involved in the explosion he will not be prosecuted for his thefts. The investigation leads him to London where he has to get close to Peter Burton, a British businessman. The DST and MI5 suggest that Vincent should seduce Burton's French wife Claire...
With : Guillaume Canet, Géraldine Pailhas, Stephen Rea, Hippolyte Girardot
Screenplay : Nicolas Saada
Image : Stéphane Fontaine
Sound : Cyril Moisson, Philippe Heissler, Thomas Robert
Music : Cliff Martinez
Editing : Juliette Welfling
Screenplay : Nicolas Saada
Image : Stéphane Fontaine
Sound : Cyril Moisson, Philippe Heissler, Thomas Robert
Music : Cliff Martinez
Editing : Juliette Welfling
Production : The Film, Studio 37, Mars Films, France 2 Cinéma
Distribution: Mars Distribution // 66 rue Miromesnil, 75008 paris // Tel : +33 (0)1 56 43 67 20 / Fax : +33 (0)1 56 61 45 04 // Email : contact@marsdistribution.com // Site Web: www.marsfilms.com
Distribution: Mars Distribution // 66 rue Miromesnil, 75008 paris // Tel : +33 (0)1 56 43 67 20 / Fax : +33 (0)1 56 61 45 04 // Email : contact@marsdistribution.com // Site Web: www.marsfilms.com

Journalist at Les Cahiers du Cinéma from 1987 to 2000, then presenter of the programme Nova Fait Son Cinéma from 1992 to 2006, Nicolas Saada also worked in the fiction department at Arte from 1992 to 1999. His short Les Parallèles was nominated for a César in 2005. Espion(s) is his first feature.This film was firstly a love story against a backdrop of spying. I wrote it in this way to tell the story through the characters. The most difficult thing was keeping this point of view right through while respecting the conventions of the genre. In any genre film there are "set pieces" and I tried to respect this. I like spy stories because they always have manipulation, human weakness, the fragility that there is in all of us.At the beginning Vincent is a sort of hermit, he is brilliant, but totally introverted. Through experiencing danger he changes life completely and always queries his own, rather individualistic, vision of the world. He has everything he needs to succeed but he is a pessimist and thinks that the world is condemned and that there is nothing he can do about it. He has no ideals. Gradually, the nature of the events he is exposed to, the cruelty of what he sets in place, begin to effect him. Espion(s) can be seen as story of initiation, the initiation of Vincent and also the initiation of Claire...