38th edition
17-25 january 2026

Mid-August Lunch

Pranzo Di Ferragosto

Gianni Di Gregorio

Image Mid-August Lunch
Italy
2008 Fiction 1h15
Gianni is just over 50 and lives with his mother in a big apartment in Rome. He takes care of everything: cooking, housekeeping, shopping. They are crippled with debt, and the property managers of the building are threatening to throw them out. Alfonso, the property manager, suggests a strange deal to Gianni: if he looks after his mother for the weekend of August 15, he will write off the debt. When the day comes, he sees not only Alfonso's mother, but also his aunt... Gianni feels unwell and calls a doctor friend, who also asks for a favour...
With : Gianni Di Gregorio, Valeria de Franciscis Bendoni, Marina Cacciotti, Maria Cali, Grazia Cesarini Sforza, Alfonso Santagata, Luigi Marchetti, Marcello Ottolenghi, Petre Rosu
Screenplay : Gianni Di Gregorio
Image : Gian Enrico Bianchi
Sound : Fabio D'Amico
Music : Ratchev & Carratello
Editing : Marco Spoletini
Production : Matteo Garrone, Archimede // Piazza Vittorio Emanuelle II 39, 00185 Rome, Italie
Distribution: Le Pacte // 5 rue Darcet, 75017 Paris // Tel : +33 1 44 69 59 59 / Fax : +33 1 44 69 59 47
International sales: Fandango // Viale Gorizia 19, 00198 Roma, Italie // Tel : +39 06 852 181 06 / Fax : +39 06 852 181 20 // Email : ufficiostampa@fandango.it
Born in 1949, in Rome, Gianni Di Gregorio graduated in direction and acting at the Accademia di Arte Sceniche in Rome and worked as a director and actor for the theatre. He then started working in the cinema and wrote in 1986 the script of Sembra morto ma è solo svenuto. After several other works as scriptwriter, he met Matteo Garrone and became his assistant director in Estate Romana, L'Imbalsamatore, Primo amore. In 2007, he co-wrote the script of Garrone's Gomorra, awarded at the Cannes Film Festival in 2008. Pranzo di ferragosto is his first feature film. "As a single child, I had to deal with my mother alone. She was a widow with a strong personality who lived in her own world. Although shaken, I loved the vitality and power of the world of "the old". But I also saw their solitude and their vulnerability in a world which is moving too fast, which has forgotten its history and lost the sense of continuity of time. During the summer of 2000, the manager of the building I lived in, who knew I had debts, really did suggest that I should look after his mother during the summer holidays. With a surge of dignity I refused, but since then I have often wondered what would have happened if I had accepted. For the actresses I chose two ladies who had never acted in their lives. Their contribution, in terms of spontaneity and truth, was a determining factor. I played the lead role because when I was explaining to the crew that we needed a mature more or less alcoholic man who had lived with his mother for years, everyone looked at me".