Le Fils préféré
Nicole Garcia
Jean-Paul, the manager of a hotel on the Côte d’Azur, is faced with serious money problems and asks his two brothers for help. When they refuse, he makes a decision that could endanger his whole family.
Cast : Gérard Lanvin, Bernard Giraudeau, Jean-Marc Barr
Scenario : Nicole Garcia, François Dupeyron, Jacques Fieschi
Cinematography : Eric Gautier
Sound : Gérard Rousseau, Pierre Donnadieu
Editing : Agnès Guillemot, Yann Dedet
Music : Alain Sarde
Scenario : Nicole Garcia, François Dupeyron, Jacques Fieschi
Cinematography : Eric Gautier
Sound : Gérard Rousseau, Pierre Donnadieu
Editing : Agnès Guillemot, Yann Dedet
Music : Alain Sarde
Production : Les Films Alain Sarde, Cinéa, France 3 Cinéma, Angel's Company
Distribution : Tamasa Distribution
Distribution : Tamasa Distribution
© INA - Didier Allard
After beginning her career on stage, Nicole Garcia first came to public attention on screen in Que la fête commence (Let Joy Reign Supreme) by Bertrand Tavernier. She went on to play a number of striking roles, including in Laurent Heynemann’s La Question (The Question), Jacques Rivette’s Duelle, Philippe de Broca’s Le Cavaleur (Practice Makes Perfect), Alain Resnais’ Mon oncle d'Amérique (My American Uncle), Claude Lelouch’s Les Uns et les autres (Bolero), Bertrand Blier’s Beau-père (Stepfather), Pierre Schoendoerffer’s L'Honneur d'un capitaine (A Captein’s Honour), José Pinheiro’s Les Mots pour le dire, Claude Sautet’s Garçon (Waiter!), Michel Deville’s Péril en la demeure (Death in a French Garden), Brigitte Rouan’s Outremer (Overseas), Claude Miller’s Betty Fischer et autres histoires (Betty Fischer and Other Stories) and La Petite Lili, and Claire Simon’s Gare du Nord. Behind the camera, Nicole Garcia has become an accomplished and recognised filmmaker. After the short film 15 août, she offered Nathalie Baye a role in Un week-end sur deux (Every Other Weekend), nominated for Best First Feature at the Césars. She directed Gérard Lanvin, who won the César for Best Actor, Bernard Giraudeau and Jean-Marc Barr in Le Fils préféré, followed by Place Vendôme, with Catherine Deneuve winning the Volpi Cup for Best Actress at the Venice Film Festival. She adapted Emmanuel Carrère in L'Adversaire (The Adversary), starring Daniel Auteuil. This film was presented in competition at the Cannes Film Festival. She returned to Cannes with Selon Charlie (According to Charlie), an ensemble film starring Jean-Pierre Bacri, Benoît Magimel and Vincent Lindon. She gave an emotional evocation of the Algeria of her childhood in Un balcon sur la mer (A View of Love), starring Jean Dujardin,
and wrote a poignant drama with Un beau Dimanche (Going Away), starring Louise Bourgoin and Pierre Rochefort. She returned to the competition in Cannes with Mal de pierres (From the Land of the Moon) adapted from the novel by Milena Agus and starring Marion Cotillard. In her next film, Amants (Lovers), presented in Venice, she directed a love triangle in a psychological thriller starring Pierre Niney, Stacy Martin and Benoît Magimel. In parallel, she has continued her acting career in films by Bruno Podalydès, Sébastien Lifshitz, Lucas Belvaux, Jean-Paul Rappeneau, Safy Nebbou, Laurent Laffite, Mia Hansen-Løve and this year in Marcello mio by Christophe Honoré.
and wrote a poignant drama with Un beau Dimanche (Going Away), starring Louise Bourgoin and Pierre Rochefort. She returned to the competition in Cannes with Mal de pierres (From the Land of the Moon) adapted from the novel by Milena Agus and starring Marion Cotillard. In her next film, Amants (Lovers), presented in Venice, she directed a love triangle in a psychological thriller starring Pierre Niney, Stacy Martin and Benoît Magimel. In parallel, she has continued her acting career in films by Bruno Podalydès, Sébastien Lifshitz, Lucas Belvaux, Jean-Paul Rappeneau, Safy Nebbou, Laurent Laffite, Mia Hansen-Løve and this year in Marcello mio by Christophe Honoré.