Klip
Maja Miloš

Jasna is a sixteen year old girl. Her father is at an advanced stage of a grave illness. Jasna sees her father completely helpless and losing touch with reality due to strong medications he's on. Jasna is in love with Djole – an eighteen year old boy she goes to school with. She's shy of showing any kind of affection towards him. In spite of this, they start a relationship in which their only communication is filming themselves during sex. Jasna is angry with everyone and everything.
With : Isidora Simijonović Vukašin Jasnić Sanja Mikitišin
Screenplay : Maja Miloš
Image : Vladimir Simić
Sound : Zoran Maksimović Ognjen Popić
Editing : Stevan Filipović
Screenplay : Maja Miloš
Image : Vladimir Simić
Sound : Zoran Maksimović Ognjen Popić
Editing : Stevan Filipović
Production : Baš Čelik – Jelena Mitrovic
International sales: KMBO / Grégoire Marchal / 61, rue de Lancry, 75010 Paris, France // Tel. : +33 1 43 54 47 24 // Email : gregoire@kmbofilms.com
International sales: KMBO / Grégoire Marchal / 61, rue de Lancry, 75010 Paris, France // Tel. : +33 1 43 54 47 24 // Email : gregoire@kmbofilms.com

Maja Miloš was born in Belgrade, on May 16 1983. She graduated from the Department of Film and Television Directing of the Faculty of Drama Arts in Belgrade in 2008. During her studies she directed 11 short films and documentaries such as Interval or Si tu t'imagines. In 2006 she attended the Documentary film school at the Film Faculty in Paris – La fémis, where she attended lectures and made a short documentary. Since 2005 she also works on feature films, as a casting director and assistant director. Clip is her first feature film.
"Through the prism of seemingly simple, youthful love story, the film Clip addresses paradoxical clashes of uncontrolled euphoria and aggression with states of apathy and hopelessness of young generations in Serbia at the beginning of 21st century. Enormous energy of all characters in the film, and the central heroine in particular, is seeking ways of becoming expressed, at the same time meeting the irreconcilable needs of fitting in and distancing themselves from the environment they live in, and at the same time recognising and defining their own identities. Anger, destruction and self-destruction are vents through which this energy surfaces, but completely unexpectedly, for themselves too, tenderness and empathy emerge. The characters are distanced from all social form and the grey, monotonous, cruel everyday life, manifesting this through apathy that often becomes intentional attitude, a pose to assume in front of the grown ups. On the other hand, they have the feeling that real existence has been moved to a parallel world which contains explosive force they cannot control.(...) They live in an enclosed circle they can't step out of, and at the same time they are convinced real freedom lies within it." Maja Miloš
"Through the prism of seemingly simple, youthful love story, the film Clip addresses paradoxical clashes of uncontrolled euphoria and aggression with states of apathy and hopelessness of young generations in Serbia at the beginning of 21st century. Enormous energy of all characters in the film, and the central heroine in particular, is seeking ways of becoming expressed, at the same time meeting the irreconcilable needs of fitting in and distancing themselves from the environment they live in, and at the same time recognising and defining their own identities. Anger, destruction and self-destruction are vents through which this energy surfaces, but completely unexpectedly, for themselves too, tenderness and empathy emerge. The characters are distanced from all social form and the grey, monotonous, cruel everyday life, manifesting this through apathy that often becomes intentional attitude, a pose to assume in front of the grown ups. On the other hand, they have the feeling that real existence has been moved to a parallel world which contains explosive force they cannot control.(...) They live in an enclosed circle they can't step out of, and at the same time they are convinced real freedom lies within it." Maja Miloš