38th edition
17-25 january 2026

Foreign Bodies

I Corpii Estranei

Mirko Locatelli

Image Foreign Bodies
Italy
Fiction 1h42
Antonio is alone in Milan with his seriously-ill baby boy, Pietro. They have travelled north in desperate hope of finding a cure. Jaber, 15, lives in Milan with a group of countrymen. He has recently migrated to Europe, escaping North Africa and the riots of the Arab Spring.Both men unwitngly find themselves in the same town, at a hospital where Antonio has brought Pietro for therapy and Jaber his friend Youssef. Disease brings about the meeting of two lonely and frightened souls, two "foreign bodies" dealing with pain.
With : Filippo Timi, Jaouher Brahim, Gabriel de Glaudi, Tijey de Glaudi, Dragos Toma, Naim Chalbi, El Farouk Abd Alla
Screenplay : Mirko Locatelli, Giuditta Tarantelli
Image : Ugo Carlevaro
Editing : Fabio Bobbio, Mirko Locatelli
Music : Baustelle
Sound : Paolo Benvenuti, Simone Olivero, Daniele Sosio
Production : Strani Film, Fabio Cavenaghi, PaoloCavenaghi, Mirko Locatelli, Giuditta Tarantelli/ Via Ludovico
Mirko Locatelli, born in Milan in 1974, is a film screenwriter, director and producer. In 2002, he co-founded with Giuditta Tarantelli, scriptwriter, the production company Ofcina Film, focusing on documentaries. In 2008, his first feature film, Il Primo Giorno d'Inverno. In 2013, he made his second featureI Corpi Estranei. " How do I tell the story of a sick child and of his father's sorrow? Through what images? These are the first questions I asked myself in writing I corpi estranei [Foreign bodies], as always in collaboration with my wife, Giuditta Tarantelli, co-author and co-producer of all my films. Right from the start, we set two key-words for ourselves: dignity and respect. We wanted to show the dignity of Antonio, an unsung hero who leaves his family behind to protect his child. And the dignity of Jaber, not much older than a child himself, almost always moving in shadows, like a bodyguard. We wanted to write and film the story of our characters like a documentary, while respecting the privacy of their bodies, their feelings, their relationships, the way they looked at each other, their times of hate or mutual help, or moments when they just stood there, waiting, hoping that something, somewhere would change. "Mirko Locatelli