Des hommes
Alice Odiot, Jean-Robert Viallet
25 days in the Baumettes prison. 30,000 square meters and 2,000 inmates, half of whom are under 30 years old.
A prison that tells the story of shattered destinies, hopes, violence, justice and the injustice of life. It is a story with its cries and its silences, a concentratation of humanity, their eyes in ours.
A prison that tells the story of shattered destinies, hopes, violence, justice and the injustice of life. It is a story with its cries and its silences, a concentratation of humanity, their eyes in ours.
Screenplay : Alice Odiot, Jean-Robert Viallet
Image : Jean-Robert Viallet
Editing : Catherine Catella
Sound : Georges-Henri Mauchant, Frédéric Salles, Jérôme Wiciak
Music : Marek Hunhap
Image : Jean-Robert Viallet
Editing : Catherine Catella
Sound : Georges-Henri Mauchant, Frédéric Salles, Jérôme Wiciak
Music : Marek Hunhap
Production : Unité de Production, Bruno Nahon, Caroline Nataf
Distribution: Rezo Films
International sales: Unité de Production
Distribution: Rezo Films
International sales: Unité de Production
Alice Odiot began her career as a journalist, she then immersed herself in the closed world of work and finance for several years for the needs of various films for television. She received the Prix Albert Londres in 2012 for Zambie, à qui profite le cuivre ?
Jean-Robert Viallet was awarded the Prix Albert Londres in 2010 for his trilogy La Mise à mort du travail, an immersion in the midst of major global groups. Among other things, he has worked on the business of boot camps for teenagers in the United States, on international arms trafficking, on the France of the marginals and the forgotten of the global economy. His latest film, L'Homme a mangé la terre (Breakpoint: a Counter History of Progress), tells the story of two hundred years of industrial capitalism in the face of the environmental crisis.
Jean-Robert Viallet was awarded the Prix Albert Londres in 2010 for his trilogy La Mise à mort du travail, an immersion in the midst of major global groups. Among other things, he has worked on the business of boot camps for teenagers in the United States, on international arms trafficking, on the France of the marginals and the forgotten of the global economy. His latest film, L'Homme a mangé la terre (Breakpoint: a Counter History of Progress), tells the story of two hundred years of industrial capitalism in the face of the environmental crisis.