Autumn
Sonbahar
Özcan Alper

Sentenced to jail for political activities as a university student in the age of 22 years, Yusuf is released on health grounds 10 years later. He returns to his village in the eastern Black Sea region and meets Eka, a beautiful young Georgian hooker. His love for her becomes a final desperate attempt to grasp life and elude loneliness.
With : Onur Saylak, Raife Yenigül, Megi Koboladze, Serkan Keskin, Nino Lejava
Screenplay : Özcan Alper
Image : Feza Çaldiran
Sound : Mohhamed Mokhtary
Music : Yuri Rydahencko, Aysenur Kolivar, Sumru Agiryürüyen
Editing : Thomas Balkenhol
Screenplay : Özcan Alper
Image : Feza Çaldiran
Sound : Mohhamed Mokhtary
Music : Yuri Rydahencko, Aysenur Kolivar, Sumru Agiryürüyen
Editing : Thomas Balkenhol
Production : Kuzey Film Production (Turquie)
Filmfabrik (Allemagne) // Tel : + 49 221 934764 0 // E-mail : info@filmfabrik.net
International sales: Media Luna // Aachener Str. 26, 50674 Cologne, Allemagne // Tel : 49 221 801498 0 // Email : festival@medialuna-entertainment.de
Filmfabrik (Allemagne) // Tel : + 49 221 934764 0 // E-mail : info@filmfabrik.net
International sales: Media Luna // Aachener Str. 26, 50674 Cologne, Allemagne // Tel : 49 221 801498 0 // Email : festival@medialuna-entertainment.de

Özcan Alper was born in 1975 in a small town in the north east of Turkey.While studying Physics at the İstanbul University, he became very interested in cultural and politic themes. He therefore decided to study History and became involved with alternative cinema groups. Özcan Alper started his cinematic career, working as assistant director and production staff in several TV movies and serials. His first short film "Momi", received several awards. It was the first film ever shot in Hemsin language (a dialect from the northeast of Turkey). Autumn is his first feature film.The main reason for making this film lay in my identification with the main character, Yusuf. In Turkey, the generation I belong to started university in the 1990s, and experienced the same things as Yusuf. The dissolution of the USSR and the beginnings of globalisation had an enormous influence on us, as we were trying to find our place in the struggle against the anti-democratic laws introduced by the victors of the 1980 coup d'état. Thousands of left-wing students were jailed as political prisoners for having demanded greater freedom. I also had the same childhood as Yusuf, having grown up on the Turkish-Georgian border, and I was always very curious about what was happening over in the Soviet Union. I spent my time listening to stories about people crossing the border, and that sense of movement, of transition, is very present in Sonbahar.