date festival

FRENCH SCREENPLAY READINGS

French public readings - feature films

lecture de scénario par Bernadette Lafont
 

Screenplays (before production) are read by professional actors in front of an audience.
The reading of the winning screenplay will be recorded and broadcast by France Culture in May 2011.
In partnership with la SACD.

 
23th, 24th, 26th and 27th of January - 14.15 - Le Quai, Forum des Arts Vivants - Free entrance
 

Les Naufragés
screenplay & direction: Boris Lojkine - production : Zadig Films
read by Rachida Brakni, Monday, January 23

 

Dreaming of a better future, Léonard has left Cameroon to conquer Europe. But his journey goes wrong. Abandoned by his smugglers in the middle of the Sahara, he finds himself stuck at a border town, without any money. He meets Rose, a young woman from the Ivory Coast. She is stuck, and has turned to prostitution. She needs a protector. He is looking for a way out of the desert. In this harsh world where everyone steals from everyone else, Léonard and Rose cling to each other. Hey begin to journey together…

For around ten years, Boris Lojkine is a philosopher and teaches at the Université d’Aix-en-Provence. Following his thesis, he went to Vietnam in 2001 to shoot Ceux qui restent, a documentary on Vietnamese veterans. He went on to film Les Ames errantes, which was released in 2007. He has worked as a consultant and participated in writing features. His first fiction, Les Naufragés, was awarded a CNC advance in 2011. The finance for the film is currently being established.

Rachida Brakni studied at the Conservatoire National Supérieur d’Art Dramatique before joining the Comédie Française as a pensionnaire. In parallel to stage work she has also acted on film in André Téchiné’s Loin and Colline Serreau’s Chaos for which she won the César for Most Promising Actress. She then appeared in L’Outremangeur, Les Bureaux de Dieu, Neuilly sa mère and last year in Régis Warnier’s La Ligne droite. In 2002, she won the Molière for Theatrical Revelation for her role in Ruy Blas. She will soon be appearing in Mouvements du Bassin directed by Hervé-Pierre Gustave.

 

Odyssea
screenplay & direction: Pascal Deux / Marion Doussot - production: Alliance de Production Cinématographique
read by Grégory Gadebois, Tuesday, January 24

 

As part of a field study sociologist Serge Camara gets taken on as a shipyard worker during the construction of the liner Odyssea. He earns the trust of Dominika Vratsa, who oversees a group of Bulgarian welders, and moves into a room in the building they are living in. As he becomes immersed in this unknown world, getter closer to Dominika, Serge discovers the hidden face of the welders’ lives…

 

Pascal Deux started as an assistant director with François Truffaut, Jacques Rivette, Samuel Fuller... In 1989, he wrote and directed Constance, and then in 1996 Soigneurs Dehors !, 2 shorts selected in many international festivals. In parallel he made about 80 commercials, which contributed to financing Noble Art, his first feature. This documentary was granted a CNC advance, and was released in theatres in 2004 before being broadcast on Canal+ several foreign channels in 2006. After studying philosophy Marion Doussot worked in independent records and publishing, before becoming a scriptwriter. In 2010 she finished the writing of Odyssea, with Pascal Deux and co-wrote Just Like a Woman by Rachid Bouchareb, and Gymkhana by Damien Odoul.


Grégory Gadebois is a pensionnaire of the Comédie-Française, and has acted in plays by, among others, Shakespeare, Tennessee Williams, Molière and Edmond Rostand staged recently by Denis Podalydès. He has had a number of roles on television and in the cinema for Philippe Garrel, Jean-Michel Ribes and Joann Sfar. In 2010 he played the male lead in Angèle et Tony, which was opened Premiers Plans in 2011. He is currently in the play Cassé by Rémi de Vos.
 

La Belle vie
screenplay: Jean Denizot, Frédérique Moreau et Catherine Paillé - direction: Jean Denizot - production: Mezzanine Films
read by Muriel Robin and Jonathan Zaccaï , Thursday, January 26

 
Sylvain has been on the run throughout France with his father and brother. When Yves lost custody of his children, they didn’t hesitate, they followed him, going against their mother, the law, and those who are searching for them, wanting to stay with this father who is everything to them. But they have grown up and flight is over. This life has taken the dreams and joys of their age. When they have to flee again Pierre, the elder, takes an opportunity to disappear. Alone with his father, marooned on an island in the middle of the Loire, Sylvain meets Gilda, first girl, first love and first step on the way to a beautiful life, his own.

Jean Denizot grew up in Sancerre, in the Berry. He studied cinema in Nantes, at the Lycée Guist’hau, then at the University of Paris 8, Saint-Denis. Member of the reviews La Voix du regard, and Tête-à-Tête, he runs the cine-club in Ville d’Avray and teaches cinema. He has made two shorts, Mouche, in 2006, and Je me souviens, in 2008, and is currently preparing the shoot of La Belle vie, his first feature produced by Mezzanine Films.

After starting out at the Petit Théâtre de Bouvard, Muriel Robin met Pierre Palmade, with whom she wrote several shows. She has had several one woman shows and many roles on TV and in the cinema, including Saint-Jacques La Mecque, Musée haut Musée bas (A Day at the Museum), Le Bal des actrices (The Actress’ Ball) and On ne choisit pas sa famille (You Don’t Choose Your Family). She will soon be appearing in Le Paradis des bêtes which will be presented this year at Premiers Plans.

Jonathan Zaccaï became known as an actor in Le Rôle de sa vie (The Role of Her Life), and continued with De battre mon cœur s’est arrêté (The Day My Heart Skipped), Les Yeux bandés, Elève Libre (Private Lessons), Simon Konianski and Si tu meurs je te tue. He made two shorts, and then JC comme Jésus Christ (Play It Like Godard), his first feature film, which will be released in February 2012.

 

Le Silence des machines
screenplay & direction: Paul Calori / Kostia Testut - production: Arcapix
read by Jeanne Cherhal and Guillaume Gouix Friday, January 27

 

After years of hardship, single mother Sylvie is determined to get a permanent job in the luxury shoe factory that she is temping in. The problem is that there are rumours of redundancies and the workers are taking action… Sylvie will have to take sides: silence or struggle…

Paul Calori, a former literature student at the Ecole Normale Supérieure, graduated from the directing department of La fémis where he made Le Jour où le soleil s'est éteint in 2005 and Les Heures creuses in 2006. Following a masters in Information and Communication Sciences at la Sorbonne Nouvelle, Kostia Testut went to the scriptwriting department of La fémis in 2002. While there he made Label Rouge in 2003 and wrote screenplays including Orso le magicien, his graduation film under the supervision of Jean-Claude Carrière. Together Calori and Testut made the short film Le Silence des machines, which was selected for Premiers Plans in 2008, and which they are developing into a feature.

With her first two albums,
Jeanne Cherhal and Douze fois par an, gold disc and nominated for the 2005 Victoires de la Musique 2005, singer Cherhal has been associated with Vincent Delerm, Thomas Fersen and Jacques Higelin. She has performed in the theatre in The Vagina Monologues and the contemporary opera The Second Woman by Frédéric Verrières inspired by John Cassavetes’ Opening Night. After the release of her third album, L’Eau, which also became a gold disc, she participated in the original sound tracks of Le Bal des actrices and Ma vie en l’air and sang in the musical tales of Louis Chedid and Anna Karina. In 2010, she released her fourth album Charade.

Guillaume Gouix has performed in 2003 in Claire Doyon’s Les Lionceaux and then in Les Hauts Murs by Christian Faure and Rebecca Zlotowski’s Belle Épine. In 2011 he appeared in Poupoupidou by Gérald Hustache-Mathieu, Et Soudain tout le monde me manque by Jennifer Devoldere and Jimmy Rivière by Teddy Lussi-Modeste. He also directed his first short, Alexis Ivanovitch vous êtes mon héros, selected this year at Premiers Plans.